
How to glaze on an unsealed surface: aka buttering up
the wall
Wall glazing, colorwashing, staining, whatever you want to
call it, we all like to put color on walls with glazes. First
rule is one always needs a sealed surface as well as a
good quality glaze
when working on a big area or else - the
dreaded lap mark. Right?
Not necessarily - Here's a trick: Take Superglaze
mixed with 50% water and roll that on your unsealed surface
first, then come right back in with you pigmented glaze. The
unsealed surface (flat wall, unsealed Marmorino, etc.) will
suck up the clear glaze mix and no longer want to absorb at
too high of a rate, thus allowing you tinted glaze or glazes
to glide along the wall. That's the way to have a relaxing
day at the office. Also a great way to keep a nice matte look
on those old world finishes we know you love.
Curious now? Want to learn much, much more? Dozens of invaluable
tips like this one are taught at our decorative finishing
school. Check out our Architectural
Wall Finishing and other classes.
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